[Oricon Weekly] A3!’s “VIVID” series CDs dominate this week’s charts

We’re back with a new Oricon Weekly roundup.

This article covers the second week of November – which includes singles and albums released between 05/11/2018 and 11/11/2018. 

Let’s take a look at the data.

Oricon Weekly Album ranking

#2

NEW ENTRY: A3! VIVID AUTUMN EP

The A3! franchise is back in full force with the last two releases in the VIVID EP series. The Autumn troupe had a terrific first week of sales – with 27.982 copies sold – just 5.000 copies shy of taking first place on Oricon Daily Album chart.

A3! VIVID AUTUMN EP is ranked at #2.

#4

NEW ENTRY: A3! VIVID WINTER EP

Also from the same franchise and showing high sales numbers is the Winter troupe. A3! VIVID WINTER EP sold 24.980 copies, enough to take this release to #4.

#32

A3! VIVID SPRING EP

Spring Troupe‘s “A3! VIVID SPRING EP” continues to recover places on Oricon Weekly. The album jumped from #46 to #32 after selling 2.263 copies in the past week.

#38

RE-ENTRY: A3! VIVID SUMMER EP

A3!‘s SUMMER TROUPE re-enters Oricon Weekly’s top 50. 2.058 copies of A3! VIVID SUMMER EP sold in the past week were enough to bring this release to #38.

With this release, A3! managed the extraordinary feat of having all releases from a series charting at the same time within Oricon Weekly’s top 50.

Oricon Weekly Single ranking

#32

NEW ENTRY: Kashicomi “Chance!/ブラクアウト”

Kashicomi, seiyuu unit consisting of Sho Nogami and Shoya Chiba, debuted with “Chance!/ブラクアウト“. The single currently occupies #32 after selling 1.960 copies.

If there aren’t sales figures on the prints we’ve posted, it’s because the music label behind that artist doesn’t want to disclose that information. It happens often with the Daily rankings. The Oricon charts depicted here only count physical copies. Digital figures are featured on a different chart.

SOURCE: Oricon – Singles / Albums

 

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Author: midorin

The Hand That Feeds HQ founder and music reviewer writing about Japanese music since 2010. Currently based in Macau SAR. Mamoru Miyano's "Orpheus" was the catalyst to completely dedicate herself to writing about male seiyuu music.